BOUQUET
PRUNING
Floral editorial with two sets that have similar vibes but also are opposites. A table. A sofa. Covered in huge cloth. Laying poses on both. Sitting in unconventional ways. They feel separate but work together to form one vision.
Flat, bright compositions that are precise and orderly. Inspiration from Wes Anderson films’ visual identity: bright, muted pastels and a lot of tiny, matching details, but also with points of focus that are out of order.
